ÀÌ DVD´Â ¼¼°è ÃÖ°í¼öÁØÀÇ ´í¼µéÀÇ ½Ã¹üÀ» ÅëÇؼ ½Ç¶óºÎ½º Çǰܵ鿡 ´ëÇØ °øºÎÇØ º¼ ¼ö ÀÖ´Â ±³ÀçÀÔ´Ï´Ù. ÀÌ ±³Àç´Â ¸ðµç ¾Æ¸¶Ãò¾î¿Í ÇÁ·ÎÆä¼Å³Î ´í¼µé¿¡°Ô À¯¿ëÇÑ ±³Àç°¡ µÉ ¼ö ÀÖ½À´Ï´Ù. °¢°¢ÀÇ ISTD ½Ç¶óºÎ½º ÇǰܵéÀ» ½ºÅܺ°·Î ½Ã¹üÀ» º¸¿©ÁÖ°í, °¢°¢ÀÇ ÇǰܵéÀÌ ¾î¶² ½ÄÀ¸·Î ±¸¼ºÀÌ µÇ¾î ÀÖ´ÂÁö ¼³¸íÇØ µå¸³´Ï´Ù. ±× ÈÄ¿¡ À½¾Ç ¾øÀÌ ¸®µù, ÀÚ¼¼¿Í ½ºÅ¸ÀÏ ¸ðµÎ¿¡ ´ëÇØ ¼³¸íÀ» ÇØÁÖ°í ¾î¶² ½ÄÀ¸·Î ¹ßÀüµÈ µ¿ÀÛÀ» Ç¥ÇöÇس»´ÂÁö º¸¿©µå¸³´Ï´Ù.
ÀÌ DVD¸¦ ÅëÇؼ ISTD ½ÃÇèÀ» ÁغñÇÏ´Â ¿©·¯ºÐÀÇ ´í½º½Ç·ÂÀÇ Çâ»óÀ» µµ¿òÀº ¹°·ÐÀÌ°í, °æ±â¿ë ¼±¼öµéÀÇ °æ¿ì ÀÚ½ÅÀÇ ½Ç¶óºÎ½º ÇǰܵéÀ» ´Ù½Ã µ¹¾Æº¸°í ¿¬½ÀÇغ¼ ¼ö ÀÖ´Â ½Ã°£À» °¡Áú ¼ö ÀÖ°Ô ÇØÁÙ °ÍÀÔ´Ï´Ù.
Demonstrated by: Maurizio Vescovo & Melinda Torokgyorgy and Ralf Muller
& Olga Muller-Omeltchenko
(½Ã¹ü : ¸¶¿ì¸®Áö¿À º£½ºÄÚº¸ & ¸á¸°´Ù Åä·ÎÅ©·Î±â, ¶öÇÁ ¹Ä·¯ & ¿Ã¶ó ¹Ä·¯-¿À¸áþÄÚ)
* DVDÀÇ ±¸¼º°ú ¼ø¼
Sur Place - ¼ Ç÷¹À̽º
Basic Movement - º£ÀÌÁ÷ ¹«ºê¸ÕÆ®
Chasse to Right & Left (incl. the Elevations) - »þ¼¼ Åõ ¶óÀÌÆ® & ·¹ÇÁÆ®(¿¤¸®º£ÀÌ¼Ç Æ÷ÇÔ)
Drag - µå·¡±×
Deplacement (also the Attack & Slip Attack) - µðÇ÷¹À̽º¸ÕÆ® (¾îÅÃ&½½¸³ ¾îÅÃ)
Promenade, Promenade Link & Promenade Close Ecart (Fallaway Whisk)
- ÇÁ·Ò³ªµå, ÇÁ·Ò³ªµå ¸µÅ© & ÇÁ·Ò³ªµå Ŭ·ÎÁî ¿¡Ä«Æ® (Æú¾î¿þÀÌ ÈÖ½ºÅ©)
Separation also with Lady's Caping Walks & Fallaway Ending
- ¼¼ÆÛ·¹ÀÌ¼Ç À§µå ·¹À̵ð ÄÉÀÌÇÎ ¿÷ & Æú¾î¿þÀÌ ¿£µù
Huit - ÈÞÀÌÆ®
Sixteen - ½Ä½ºÆ¾
Promenade & Counter Promenade - ÇÁ·Ò³ªµå & Ä«¿îÅÍ ÇÁ·Ò³ªµå
Grand Circle - ±×·£µå ½áŬ
Open Telemark - ¿ÀÇ ÅÚ·¹¸¶Å©
La Pase - ¶ó Æļ¼
Banderillas - ¹Ýµ¥¸®¾Æ½º
Twist Turn - Æ®À§½ºÆ® ÅÏ
Fallaway Reverse Turn - Æú¾î¿þÀÌ ¸®¹ö½º ÅÏ
Coup de Pique (and alternative methods) - ÄíÆä µ¥ ÇÇÄÉ
Left foot variation - ·¹ÇÁÆ® Dz ¹Ù·¹À̼Ç
Spanish lines - ½ºÆдϽ¬ ¶óÀÎ
Flamenco Taps - Çöó¸æ°í ÅÇ
Syncopated Separation (and alternative endings) - ½ÌÄÚÆäÀÌÆ® ¼¼ÆÛ·¹À̼Ç
Travelling Spins from Promenade & Counter Promenade
- Æ®·¡ºí¸µ ½ºÇÉ ÇÁ·³ ÇÁ·Ò³ªµå & Ä«¿îÅÍ ÇÁ·Ò³ªµå
Fregolina (also the Farol) - ÇÁ·¹°ñ¸®³ª (ÆзÑ)
Twists - Æ®À§½ºÆ®
Chasse Cape (incl. the Outside turn & Alternative endings)
- »þ¼¼ ÄÉÀÌÇÁ(¾Æ¿ô»çÀ̵åÅÏ & ¾óÅͳÊƼºê ¿£µù Æ÷ÇÔ)
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